Poetry, faithful husband, you earn next to nothing and require everything of me: leave my refrigerator and bank accounts empty in your ardor and wildness, litter the tables with fragments of new works, ask me every day when these thirty years will be ordered. Title those three decades in the name of my last lover, the one I waited all that damn time for. The unspeakable love in those November poems, these newest stories the most poignant for I am broken open with pain today. Gather the lines, bind them into a collection dated 1981, year of the Metal Rooster, through last December. You don’t pause to ask where I slept last night.

Where were you when I was born, abandoned in an incubator? I was supposed to be a Sagittarius, a true one. Not jealous, delicate Scorpio at the brink of Sagittarius — it was my mother’s smoking that made me a month premature. Clawing with unborn talons at her uterus that housed three before me. Sound of my assisted breathing for the first four weeks.

I always wanted to be claimed early — life is simpler while belonging to someone. It’s hard to be alone, my mother told me when I was too young to protect myself from her words. It’s hard to be alone. Engraved on every one of my cells, wasn’t I unshielded from the force of her loneliness? But my last name was changed, an invisible weight already on the weakest finger of my left hand. My identity the property of experimental literature. The kind that unseats and deprograms, slaughters the master and his narrative — chained to my pen, freeing everyone else.

Little angel of murdered doubts, you are the one who never leaves, who wakes me each morning with a chase around the perimeter of my mind, pulls the thoughts from an unwilling throat, flicks away the scab grown over my heart where those other fingerprints are still visible. Face washed with saltwater from the corners of my eyes, purified of my transgressions. Unashamed of my imperfections. Only you, besides me, know my ugliness. You’re not possessive like me, too free to fear the end of anything; you are a humble map of veins, green under my earthen copper skin, unseen except for those who know my marital status. Private. Wrists bound for life by the ribbon of words that extends from my mouth, my fingers, fountains from my womb — fiery tsunami of my voice, loudness of this body’s truth. Delayed expression liberating itself, in spite of empty noise and silence of annihilation, through you. Your unconditional nature, what I may never understand.

I turn away from the external world to recall how, with you, I became love, how your curling script records the shapes of my tears when death is more attractive to me than this limited incarnation, how the contract between us was written without conditions when I was a child. Too young to know the gravity of a lifelong agreement. But your presence is bottomless, the lingual caress of communication. In my valley of destruction you find me carving a labyrinth, call my names to remind me who I am.

© 2012 Tahminah Zaman

I am a young sorceress, love, so young I cannot even imagine the power in my hands, my unexpressed need. How I used words to invite and then reject you. What I see in you of myself, I could not bear to look. As my marred vision clears, I want you here, call you with my hands to bring you close again.

I went to see you last night, knocked at your door. No answer came. Now I wait for the Universe’s hand to move. This morning I touched the place where I felt the scab before — it’s gone. Almost completely. The skin smooth again, the way it was when we met. When I was beautiful to you and corrected you: it’s yourself, mostly, that you are seeing. When you look at me, you make me more beautiful. To be seen by you. I told you.

Dark power, Kali Ma, you destroy so beautifully, death so lively you can’t be contained, somehow you overfill every glass. Dramatic. Your vibration is a mystery: both high and low. Your wand whose lightning does annihilate too much. Now I know you. Flavor too strong to forget after this last bitterness.

The universe reassembles herself, reordered according to the present, the singular instant of now. This one guarantee. Where the kiss arises, even if erased thereafter.

© 2012 Tahminah Zaman

serve her, your Universe and
your Earth: from where
else does your
oxygen spring?

© 2012 Tahminah Zaman

love is psychotic
business.
neuroses will surface
during its time and
after it’s passed.

when you say you love
I hear silence. deaf to
even your shouts, my
sweet

still spiraling, freefall
ing, along with all
this matter
the when, the what, the why
are nothing more
than details to
describe

death delayed by laughter,
erased pain,
a symmetrical reflection,

the self sung in a
lover’s voice

© 2011 Tahminah Zaman

as if I am sculpted
by your hands
I become new
to myself

a fresh vision,
unfamiliar
mirror
or lens

you refract me
differently

show me my
light from a
sideways
horizon

“I’d like to draw
your eyes,” you said.

“I would love to be
painted.”

And you laughed.

I am a Picasso
but rarer,
the goddess Justice
but fairer,
in your eyes

I am better

purified by unseen waters
the way you look at me
stalls my departure
feeds me a flavor I haven’t
tasted
teaches me something I should
have known, or knew
but forgot. You remind me
that tomorrow is today

the details don’t exactly
matter

if

love that went wasted,
love that faded or waited
too long to speak,
love that disappointed,
that lied by not disclosing,
love that neglected our origins,
love that belittled and bruised,
love that was refused,
love that liberated
has recycled itself
at the very center of the earth

to give birth
to this

© 2011 Tahminah Zaman

Sudden visions of engagement rings chained together in the shape of a noose. Leaving lives behind. Ten thousand years of externally controlled thoughts and decisions, hiding my revolutionary nature, expressing creativity within confines of marriage, motherhood. Forced subtlety, sublimation of passion into calm, accommodating delivery. Slavery of the body, soul negotiated then promised to another. Bengali woman, show yourself. Lower back pops as I type this; releasing sexual histories engraved with my name, old healing projects and emotional ties, the familiar desire to spend my years building against the crumbling structure of a broken man. When I finally choose a whole lover, I will have learned to revere life as well as death.

I slide back into old patterns, wanting control, wanting to own the one I will love, the ones I have loved. Paralyzed in the place between the programmed self and freedom. I still long to have changed, transformed into the robot that would have made it possible to continue with disturbed lovers. Indian woman. Indian woman. Indian woman. Why is self-destruction so easy? Lingering fear of being thieved, cheated, interfered with. Not just colonial disruptions of our narrative, but the original narrative — bones and joints turned arthritic, brittle and cracking in response to foreign influence. The body still believes in arranged marriage — love as mechanism following naturally from the promise and intent. Stabilizing with time, effort, force. My history lied to me: the one who loves me will never fear my absence, will never attach to me in order to avoid loss, will never press me into a wall demanding forever.

Indian woman. Indian woman. Brown daughter of genocide. Who are you beneath your fear? Your control? Your black and white, your learned habits? Can you love without chains, without promises? Does slavery always beget slavery?

Should I decide to die an ever unmarried woman? I am not yet 32; my body still belongs more to those around me than to myself. Some never fully claim their flesh as their own. If I had made my choice when I thought I knew what I wanted, if I chose now, I would change my mind soon enough; will divorce, certainly, if I marry before 33. My hunger for stability wanes, waxes alongside my evolving manner of living. Painful myth to release, that we are the same tomorrow, will without a doubt love the same lover next year. Even if I never free myself completely from my own falsehoods, I cannot imprison myself as before. Not without consenting to abandon my worship of an unchained existence.

© 2011 Tahminah Zaman

© 2011 Tahminah Zaman

© 2011 Tahminah Zaman

If my eyes linger on you, you will pause — so I take small glances while you are distracted, productively taken by your inner world. Once the second cup’s been drunk, I’ll read this to you. Show myself naked to you, when you become mine again.

A writer’s body hides the coursing of blood through muscles taut from storying, placing, shifting, exchanging words. Fingers sculpt sound and meaning, wheels of energy turning at ten levels of thought and action. Generativity of the flesh, synapses traveling through labyrinth of brain and spine, moving in the stillness of a stenographer’s posture. Revealing nothing but the act of documentation, the images drawn in paper and ink, each letter a brick stacked toward completion.

Breakfast dishes cleared, I close my laptop and rise to shower. Leave the bathroom door halfway ajar, enter the scalding spray that strikes me between shoulder blades. Hand against white tile wall, hair sliding down my skin and into the mesh covering the drain. Ringlet strands of black protein my scalp releases as I drag my claws through the multitudes, shampooing. Double helix of genetic knowledge, its melanic tint a bloody copper. Fumes from soap handmade with orange juice, shea butter, and turmeric fill the bathroom, making a pungent steam sauna of my morning ablutions. I wash myself, thinking of your hands at the breakfast table, playing at imagined remembrances, sequencing moments into poetic flow for publication.

There is a rustling, the door of dark glass separating me from you opens. One leg, then the other steps inside the vapor cloud around me, inhaling spice and steam. I turn to you, bright apricot skin showing and hidden in parts by cresting water drops and their visible heat. Eyes and arms reaching, you pull me gently to you. Stomachs meet. Palms squeeze my hips, fingers stretch apart to contain me, claim me; digits no longer curled to keyboard silent words twist my raven locks. Oxygen and sugar pulsing between the chambers of your heart against my throat. Loud, insistent. Masculine.

© 2011 Tahminah Zaman

words jump from page to page like migrants attempting to find their place. the body is here, too, the whole body’s force, manipulating their song, fingers exchanging, transforming, sliding their currency of meaning. a wealth of music, extravagant choreographies of thought and sound. soundtrack of death and living.

the expression itself becomes the retreat, reclusion into the flesh; feeling the blood, the bones, the sinew and heat of pain, resistance, release, power. there is no one alongside me, i am not isolated. only an invisible film around me, penetrated by all i allow myself to experience. walls are unnecessary now, natural boundaries suffice to regulate everything necessary. food, water, speech, thought, breath.

as the cells rebuild themselves, sleep eludes me. when i dream i am announcing myself to the world as if my voice is only now being heard. surrounded by reflections of my inspiration, artists in celebration. and in the background, my two enraged, subdued sisters watching from a distance, their eleven children scattered into the joyous crowd.

two sisters my elder and estranged, the loss that made these creative works vital, grief that could not be expressed except in the abstract, explosions of syllables and rhythmic exaggeration. my words are not angry but punish with truth. by the time i am done talking we are alone together, the three of us, without the disguises, without the other people we use to draw distance between ourselves. the silence is louder than everything that came before.

identities strung together by genetics, blood tangling history’s limbs, birthdays and personalities repeat to incise the inherited fear of self we mirror in one another. circles of time go incomplete, spiraling into uncrackable codes, unreachable meaning.

put one foot ahead, turned out at the toe. fly.

© 2011 tahminah zaman